{"id":1199,"date":"2016-05-29T17:57:52","date_gmt":"2016-05-29T15:57:52","guid":{"rendered":"http:\/\/www.exxagon.fr\/\/?p=1199"},"modified":"2016-11-26T14:20:05","modified_gmt":"2016-11-26T13:20:05","slug":"critique-money-monster","status":"publish","type":"post","link":"https:\/\/www.exxagon.fr\/?p=1199","title":{"rendered":"Money Monster"},"content":{"rendered":"

Critique<\/b><\/span><\/p>\n

Introduction<\/span><\/span><\/p>\n

\"Money<\/a><\/u><\/span><\/span><\/p>\n

Money Monster<\/u> est un thriller am\u00e9ricain, r\u00e9alis\u00e9 en couleur par Jodie Foster. Sorti en 2016, ce film a \u00e9t\u00e9 pr\u00e9sent\u00e9 hors comp\u00e9tition au Festival de Cannes 2016. Ce film ea \u00e9t\u00e9 produit par les soci\u00e9t\u00e9s Allegiance Theater, Smokehouse Pictures, Sony, TriStar et Village Roadshow Pictures. Au casting, on retrouve George Clooney (Ocean’s Eleven<\/u>, Gravity<\/u>…) dans le r\u00f4le de Lee Gates, Julia Roberts (Pretty Woman<\/u>) dans celui de Patty Fenn, ainsi que Jack O’Connell (Invincible<\/u>) dans le r\u00f4le de Kyle Budwell. Dominic West, Caitriona Balfe et Giancarlo Esposito ont eux aussi particip\u00e9 au film. Au total, le film aura co\u00fbt\u00e9 30 millions de dollars pour 98 minutes. Plut\u00f4t bien accueilli, il a re\u00e7u 3,5 \u00e9toiles de la part de la presse, et 4 \u00e9toiles de la part du public (Allocin\u00e9).<\/span><\/span><\/p>\n

Synopsis<\/span><\/span><\/p>\n

L’histoire se d\u00e9roule New York, de nos jours. On pourrait la qualifier de huis-clos, car le film prend place principalement sur le plateau TV de Money Monster<\/i>, une \u00e9mission financi\u00e8re anim\u00e9e par Lee Gates sur un ton humoristique, qui livre aux spectateurs des conseils en \u00e9conomie, pour leur apprendre o\u00f9 investir. Durant un direct, Kyle, un spectateur ayant perdu 60 000 dollars en suivant les conseils de Lee d\u00e9barque sur le plateau de l’\u00e9mission et prend en otage le pr\u00e9sentateur, \u00e0 l’aide d’un pistolet et d’une ceinture explosive, devant des millions de spectateurs…<\/span><\/span><\/p>\n

R\u00e9alisation<\/i><\/span><\/span><\/p>\n

Jodie Foster, n\u00e9 en 1962 \u00e0 Los Angeles (Californie), est une r\u00e9alisatrice, actrice et productrice de film. Elle entre dans l’industrie du cin\u00e9ma \u00e0 l’\u00e2ge de 6 ans, dans Mayberry<\/u>, une s\u00e9rie TV, puis elle est r\u00e9v\u00e9l\u00e9 par Taxi Driver<\/u>, de Martin Scorsese, qui lui vaut sa premi\u00e8re nomination aux Oscars. Elle a r\u00e9alis\u00e9 la totalit\u00e9 de ses \u00e9tudes en fran\u00e7ais, et effectue elle-m\u00eame le doublage de la plupart de ses films. Elle a \u00e9t\u00e9 honor\u00e9e de deux oscars, pour ses prestations dans Les accus\u00e9s<\/u>, et Le silence des agneaux<\/u>. Elle a aussi re\u00e7u le Golden Globe d’honneur en 2013. En tant que r\u00e9alisatrice, elle a r\u00e9alis\u00e9 Le Petit Homme<\/u>, Week-End en famille<\/u>, Le complexe du Castor<\/u>, et Money Monster<\/u>.<\/span><\/span><\/p>\n

Critique<\/i><\/span><\/span><\/p>\n

Dans Money Monster<\/u>, les acteurs ont effectu\u00e9 un remarquable travail d’interpretation. Ils ont tous sans exceptions su rentrer dans leurs personnages, et nous faire ressentir leurs peurs et leur d\u00e9tresse. On a d’abord George Clooney, qui a su prendre en main Lee Gates, et nous a bien fait comprendre son changement de caract\u00e8re au fil du film, passant de quelqu’un d’\u00e9go\u00efste et provocateur \u00e0 quelqu’un de compr\u00e9hensif vis-\u00e0-vis des plus mis\u00e9rables que lui. Puis vient Julia Roberts, qui a elle aussi bien su recr\u00e9er la tension de son personnage, qui est toutefois moins visible que celle de Clooney, car elle n’appara\u00eet pas autant sur la sc\u00e8ne que lui. Puis enfin, Jack O’Connell, qui a lui aussi recr\u00e9\u00e9 avec brio la d\u00e9tresse psychologique de son personnage, et qui, \u00e0 mon avis, est la meilleure prestation de ce film.<\/span><\/span><\/p>\n

Le sc\u00e9nario, lui, a \u00e9t\u00e9 \u00e9crit par Alan DiFiore, Jim Kouf et Jamie Linden. Ces trois sc\u00e9naristes ont su \u00e9crire une histoire int\u00e9ressante, plein de rebondissement. Le sc\u00e9nario est sens\u00e9, et on peu ressortir un double sens de ce film. Les sc\u00e9nariste n’ont pas \u00e9crit qu’une banale prise d’otage, mais on peut voir une critique de la soci\u00e9t\u00e9 moderne. A la fin du film, Budwell n’est donc pas tu\u00e9 par un simple policier, mais il est tu\u00e9 par le syst\u00e8me.<\/span><\/span><\/p>\n

La musique de Dominic Lewis est entrainante, et appuie bien l’histoire. Le montage est dynamique, et les d\u00e9cors soign\u00e9s. L’image et le cadrage sont eux aussi tr\u00e8s r\u00e9ussi\u00a0: Le film est esth\u00e9tiquement tr\u00e8s correct. Vous vous en doutez, je trouve ce film tr\u00e8s r\u00e9ussi, et je n’ai rien \u00e0 lui reprocher.<\/span> <\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Critique Introduction Money Monster est un thriller am\u00e9ricain, r\u00e9alis\u00e9 en couleur par Jodie Foster. 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